Hence the question that arises rather subliminally in this overall thought experiment as depicted in the To The Moon Saga: Are (false) memories a (bad) lie / illusion per se? How can they be when our emotional and feelings attached to it are real or even the sole reason why we often feel alive/happy/mature etc. Sometimes our memories in small or large parts do not correspond to our actual reality, and yet they shape our lives and our personality. Our memories do not have to be literally manipulated with a futuristic brainwave-modifying machine, because we already have altered memories about our life moments in some way, which our brain tries to put into a logical narrative which also aligns with our emotions. Not only on an emotional level through the Watts family saga, but also through the recurring conflicting question of whether memories, false or real, define our human life and existence. I think with the themes addressed in the story, IF has managed to close the circle of the overarching story for all installments so far. I'm always amazed at how easily Kan Gao and the other writers of Freebird Games manages to awaken these profound feelings in me and also make me reflect on existential questions of my past and current life situation every time. The narration and imagery of the romantic and emotional scenes throughout Lynri's and Quincy's life were again brilliantly visualized and written. The horroresque mindfuck elements at the beginning put me off a bit at first, because I really had to overcome myself to keep playing in my quiet room alone in the dark of the night, but from act 2 on I was so intrigued and felt once again that there was nothing stopping me until I had finished the game. i hope you have people around you that can understand your feelings.Like the previous games, I had read through the story in one go. if you’re discussing things online, i hope you can do so in a caring and understanding way. I’m very sorry to anyone that was hurt by the images and comments. they’ll probably make some new ones along the way, but the people that come up after that will hopefully learn from those mistakes, too. hopefully people learn from our mistakes.
the mistakes we’re making now, hopefully people continue to discuss them. we’re excited to see what people who were into SU end up creating 10 or 20 years from now.
Something we talk about on the crew a lot is how excited we are for the future. we’re not perfect and there’s no such thing as a perfect cartoon. we’re always learning along the way, tho…we’ll continue to make mistakes. we’ve made some mistakes and missed some things. We do our best to approach the characters on the show in a thoughtful way. if she was ever to be in the show i’m sure we would’ve developed her into a great character. i get how the contrast with her lips could be seen as a racist caricature.
SUS SUS AMOGUS IMPOSTOR FACTORY SKIN
i wanted to get across the idea that her skin would be dark. if i had more time i woulda drawn her cuter. i hadn’t really thought about her since that writing exercise. i think all i used was a stylo and a warm grey copic to give her a little more detail. we talked about it and they’ve learned from this experience.Īs far as concretes design goes, i drew her pretty expressionless. they expressed regret over being careless and not really thinking of how it could be seen as a negative thing. The person who wrote the comment brought what was going on with this character online to my attention a few days ago. i won’t say who that was as i don’t want to open them up to harassment. we were given a few minutes to come up with a design, then the drawing is passed on and someone else writes a description. I drew concrete during a little writing exercise we usually do when we’re planning stuff for the next season. Sorry to anyone offended by the concrete stuff that can be found in the steven universe art book that recently came out.
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